The Darjeeling Limited is likely the most forgettable of all the Wes Anderson films. However, simply by that virtue doesn’t mean it’s bad. The Darjeeling Limited takes the interesting method of mixing Indian culture with the visual French-esque style of Wes Anderson. Of course, being that he writes his own script, this contrast is often used to the films advantage. Using symmetrical shots fits perfect in the setting of a train, and is used later in his filmography. Honestly, Darjeeling Limited is where Wes Anderson solidifies his unique style, and not just visually. As mentioned, the movie is very forgettable, which I blame on the script. Although not bad, the film repeats the exact same beats at least 4 times throughout the 1.5 hour run time. Even after watching it for the second time, I’ve forgotten a lot of the movie, making this review hard to write. I’d also mention that the film works better if you watch the short film prequel first, as Jason Schwartzman’s character seems very underdeveloped otherwise. And that’s the big problem, even though it dragged on, the film just needed more. Specifically, more that’s different. Compared to other Wes Anderson movies, the distinct nature between the characters is stronger, but it is never actually used to the plot’s advantage. And that’s kind of where I’m left with what I can remember from this. I wrote something in my notes about the train being symbolic of how people are moving forward constantly, but I just can’t remember most of this movie. Which is why, sadly, I give Darjeeling Limited a 6.5/10 (again).
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